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UK government backs away from AI copyright reform as licenses emerge as battleground

The UK government has withdrawn one of its most controversial proposals on artificial intelligence and copyright, signaling a fundamental shift towards market-led licensing and transparency over legislative change.

In its long-awaited report on Copyright and Artificial Intelligence, published in March 2026, ministers confirmed that they would no longer pursue copyright exceptions to AI training as an exit – a policy that has sparked strong opposition from across the UK’s creative industries.

Instead, the government is opting for a more cautious, evidence-led approach, prioritizing transparency obligations and allowing the nascent but fast-growing licensing market to develop. The move marks a significant policy overhaul at a time when the UK is seeking to position itself as an AI superpower and global innovation hub.

At the heart of the report is a clear admission: the option chosen by the government, which allows AI developers to use copyrighted materials unless the rights holders have clearly opted out, has failed to win support.

The consultation attracted more than 11,500 responses, with the vast majority from creators, publishers and rights organizations rejecting the proposal outright.

Ministers now admit that an alternative “exit is no longer the government’s preferred way forward”, citing strong industry opposition, a lack of consensus, and insufficient evidence on the economic impact.

This represents a significant victory for the UK’s arts sectors, from publishing and music to film and photography, which have argued that exceptions would legally authorize the uncompensated use of their work by AI-powered systems.

The report highlights a fundamental policy problem: how to balance AI-driven economic growth with intellectual property protection.

On the other side sit AI developers, who need large datasets, often including copyrighted material, to train large language models and generative systems. On the other hand, there are those who create jobs that support those programs but are in danger of being fired by them.

The government admits that modern AI models are often trained on “billion-dollar copyrighted works”, raising serious questions about fairness, consent and competition.

But it also highlights uncertainty about the economic benefits of reform, noting limited evidence that loosening copyright laws will significantly increase AI investment in the UK.

In fact, ministers prefer to stand still rather than gamble.

Instead of legislating, the government is placing its bets on licensing, a market-based approach already taking shape.

A growing number of deals between AI firms and content owners, particularly in publishing, music and image libraries, suggests that a commercial model is emerging. However, the report admits that this market is still “new and developing” and lacks transparency.

At worst, ministers have decided to intervene directly:

“We propose not to intervene in the licensing market at this time … and we will keep market-led approaches under review.”

This position is very much in line with industry sentiment across the arts and technology, which generally favors voluntary, negotiated agreements rather than formal arrangements.

However, it also raises important questions, especially for SMEs and individual creators, about bargaining power and equal pay.

Among those who embrace the change is Tom West, CEO of Publishers’ Licensing Services (PLS), who sees licensing as both functional and scalable.

West said: “We welcome the fact that the government has listened to the strong feedback it received from the UK arts industry in its consultation and has withdrawn its exclusive option to remove copyright by opting out and reviewing the visibility of AI ideas, which could also improve licensing.

While we await further clarification from the government on the long-term direction of its copyright policy, PLS will continue to serve our publishers and collaborate with our partners on market-based, industry-based AI licensing solutions.

This methodology has already been implemented. At the London Book Fair last week, PLS launched the first phase of a new integrated licensing solution designed to support the use of AI-published content. It has been met with strong interest and positive feedback from publishers and industry partners, with publishers already registering. The solution provides an efficient, scalable way for AI developers to access high-quality content while ensuring creators are paid and retain control over how their work is used.

A case has not been made for the introduction of a new copyright exception. There is no market failure and the dynamic licensing market for the use of AI content has developed and continues to grow. Any variation of the copyright AI generates would jeopardize these licensing solutions, removing the ability of large and small rights holders to receive payment for using their works in AI and reducing control over their content.

PLS welcomes the government’s discussion on this sensitive issue. We share a commitment to a beneficial outcome and invite the government to work with us to help develop and promote licensing options that support rights holders of all sizes and AI developers seeking high-quality, trusted content.”

If licensing is an economic mechanism, transparency is a controlling factor.

Over 90% of interview respondents supported requirements for AI developers to disclose training data sources.

The government agrees, in principle, but stops short of achieving rapid regulation. Instead, it suggests:
• developing industry-led best practice
• monitoring international frameworks (especially the EU AI Law)
• considering future legislation if necessary

Transparency seems important to enable enforcement, licensing and trust, especially given that creators often don’t see whether their work has been used.

For UK businesses, particularly SMEs, the results are mixed.

For creators and publishers
• greater security in the short term
• strong negotiating position in licensing deals
• ongoing challenges in terms of enforcement and visibility

For AI startups and developers
• continued legal uncertainty
• potential cost barriers to accessing training data
• reliance on models licensed or trained overseas

For the wider economy
• slow control clarity
• reduce the risk of over-regulation
• continued reliance on global AI ecosystems

The report clearly notes that SMEs on both sides, creators and developers, face incalculable challenges under the current system.

Perhaps the most striking aspect of the report is its tone: cautious, repetitive, and deliberately noncommittal.

The government repeatedly emphasizes the need for more evidence, more international consensus, and more market development before taking definitive legal action.

With ongoing litigation in the US, new regulations from the EU, and rapid advances in productive AI, the UK is at risk of being dragged down in many ways, economically, legally and politically.

This is not a solution, it is a holding position.

By holding back on major reforms, the government has bought time. But it also shifts the responsibility to the market to prove that licensing can work at scale, fairly and efficiently.

If possible, the UK could develop a balanced model that supports both innovation and creativity.

If it can’t, the debate over copyright and AI will return, sharper, louder, and more difficult to resolve.


Paul Jones

Harvard alumni and former New York Times reporter. Editor of Business News for over 15 years, the UK’s largest business magazine. I am also head of Capital Business Media’s motoring division working for clients such as Red Bull Racing, Honda, Aston Martin and Infiniti.



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